Z is for "Zindagi ka Safar" (The journey of Life) #bloggingfromatoz #NaPoWriMo 2022 #AtoZChallenge

 

Good Morning from Izmir,

The fact that it's the the day of the 'Z' and the city I'm in at the moment carries a Z in its name makes me smile. 

The prompt on Day Twenty-nine of #napowrimo states: "In certain versions of the classic fairytale Sleeping Beauty, various fairies or witches are invited to a princess’s christening, and bring her gifts. One fairy/witch, however, is not invited, and in revenge for the insult, lays a curse on the princess. Today, I’d like to challenge you to write a poem in which you muse on the gifts you received at birth — whether they are actual presents, like a teddy bear, or talents – like a good singing voice – or circumstances – like a kind older brother, as well as a “curse” you’ve lived with (your grandmother’s insistence on giving you a new and completely creepy porcelain doll for every birthday, a bad singing voice, etc.). I hope you find this to be an inspiring avenue for poetic and self-exploration."

The prompt lends itself to be wedded to an Urdu word -- Zindagi which means life. I've chosen a famous Indian film song title as the title of my post and this poem.

Thank you so much for being with my throughout April. If you're a blogger who's visited me and is miffed by the fact that I haven't returned the kind gesture, I apologise. I have every intention of fulfilling my blog challenge duties when I'm back home after a few days. 

Heartfelt gratitude to all of you who've read and commented. You may never know just how big a deal your comments are to this poet/writer. Your words carry me further -- into new directions and even the muse is mighty pleased when she sees them:)

Presenting my  last post of the #Ato Z April Challenge 2022:

"Zindagi Ka Safar"

(The Journey of Life)

It was a moonless night, the night I was born. My mother told me.

Black-outs and sirens of war shone instead on the night I was born.

 

I imagined the dark night of my birth like Alfred Hitchcock

must’ve imagined Vertigo and Ravens. Dramatic. Moody. Extra-ordinary.

 

Your smile, my mother told me, never left you. You’d ask for things and we’d give you.

You didn’t miss me when I was gone. She told me how I hadn’t looked up even once.

 

Sitting under our  mulberry  on Papaji’s munjhi*, happy --- so happy, I wondered whose child?

Recalled my mother the memory of the day she came home from the hospital--

 

Carrying my new born-sister. It was my first birthday. I was such a happy baby.

Content. Cuddly. Chubby. Apple red cheeks, my mother told me. 

 

So many gifts and more were to come. First my sister, then a baby brother even.

Our trio. “You’re not a happy family.” A precocious girl visitor once blurted out.

 

“Why did you say that?” her mother, our mother’s childhood friend asked, worried.

“Because they’re three—not like the T.V. ad—"We two-our two: A happy family.”

 

The girl jingled aloud the campaign slogan of India’s Family Planning—innocently.

We shouldn’t have laughed then. Should’ve seen the ravens’ dark—the dizziness yet to come.

 

Black-outs. Curtains drawn on good sense. Throwing precaution to the winds--of change.

Not to tempt fate. Not to laugh out too loudly or even softly at innocent utterances.

 

Loss. Loss. Loss.

 

Every blessing comes with its counter-balance.

 

Call it a curse. A CURSE-- a curse, if you will.

 

Life’s a list of opposites strung as beads—nature’s aesthetics.

Every life must be counterbalanced with death.

 

Brother. Mother. Home.

 

Full moons and No moons. Gibbous. Crescents. Grow. Fade. Glow.

Life’s hide and seek. Happy. Sad. Extra- ordinary is frowned upon by gods and goddesses.

 

What are Blessings without curses? Forbidden fruit. Only verses—

Songs of Praise (question mark). Mortal sins. Divine Justice.

 

Full STOP!

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I'm participating in the #AtoZ April Challenge as a blogger and in #NaPoWriMo 2022 as a poet.

Also, as the poems I'll be sharing this month are first drafts, I'll be removing them from my site after a couple of days.

You know I'd love to find out what you think of my attempts.

Thank you for being here.

Be safe:)

Arti

B is for Breath #bloggingfromatoz #NaPoWriMo 2022 #AtoZChallenge

Dear Readers,

It's day 2 of the two April challenges I've jumped into.

Two things to share with you toady:

1) You may want to click on: The prompt to find out the task (optional, of course) set by  #NaPoWriMo. The challenge is to write a poem based on a word featured in a tweet from Haggard Hawks, an account devoted to obscure and interesting English words. 

I've picked “greenout,” which means “the relief a person who has worked or lived in a snowy area for a long time feels on seeing something fresh and green for the first time” to write my poem.

2) Also, as the poems I'll be sharing this month are first drafts, I'll be removing them from my site after a couple of days.

Thank you for being here. 

Arti 

**********

Notice: Day 2 poem has now been removed.

_______________________

I'm participating in the #AtoZ April Challenge as a blogger and in #NaPoWriMo 2022 as a poet.

Wish you a happy and healthy Saturday.

A is for An Announcement #bloggingfromatoz #NaPoWriMo 2022

Dear Readers,

I decided to jump into the familiar excitement of the blogging challenge of A to Z this year at 10 pm, last night which happened to be the 31st of March. I'd been toying with the idea of giving it a miss this year on account of lack of preparedness and a big lack of time. But, the pull of this challenge is too irresistible. So, here I am. 

This year's badge is a tribute to Jeremy Hawkins, the official graphics guy for the A to Z Challenge, who passed away.

I'm also participating in the #NaPoWriMO2022 for two reasons: 1) Because I love poetry. and 2) Because I want to learn how to craft better poems. And as practice is the only way to get better, I thought I'd give myself an entire month of limited time to write to invite the muse to work with me.

Thank you for being here.

You know I'd love to find out what you think of my poem today, if you'd like to share.

Happy Friday.

***********************************************************************************

Day One Prompt

An Announcement

The white spots on the base of her throat hadn’t responded to the steroid cream her GP had prescribed. If anything, the pale white spots had turned red, angry and frustrated. Deep down, in the recesses of her heart, where her Indian heritage lived and guided her actions and thoughts—about love, the self but never about the two together—she knew. But she buried the knowing under fluffy blankets of optimism on a cold, clear autumn morning in West London and went to see her GP.

“It’s Vitiligo.” He announced, without taking his eyes off of the UV light he was holding on the red, blotchy spots which used to be brown skin but were assimilating with the whiteness of the country she’d migrated to.

“No!” concrete tears stuck in her throat. She sobbed out, “Really?”

“At least it’s not cancer.” The GP offered solace. “It’s only superficial!” he hammered the concrete, hammered her hopes.

She left the clinic. Outside, the blue sky was sparkling with autumn sunshine. The air was crisp. She unwrapped her scarf. The air hit the spots. She’d kept them covered for over six months with scarves, turtle necks in summer and band-aids in the swimming pool. She let them drink in the air—at last. But her feet, her knees, her brown heritage sitting deep inside her trembled like an earthquake—seismic shifts to how she’d look when the white spots start to grow, multiply and mutate her skin, her body and how people will see 'her' made her slump on the road, outside the GP’s clinic, under a large chestnut tree full of red, yellow and golden leaves that once were green.

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Road Trip #AtoZChallenge 2021

Dear Readers,

More than half of May has flown by. I have been cobbling together my first eBook! Yay! It's been a sharp learning curve but I've enjoyed every minute of it. More about the book will be shared in future posts.

For now, it's time to kick start this road trip. I promised myself that I'll be a more regular blogger this year and I think this road trip will help me to stay focused.

This was my fifth A to Z Challenge.

I chose to write on a theme this year. It was based on the Japanese concept of Ichigo Ichie which means--"What we are experiencing right now will never happen again. And therefore, we must value each moment like a beautiful treasure."

Road trips are fun when one enjoys the views. Right? Otherwise, it's just a zoom from A to Z. I hope you'll stop by and refresh yourselves at the post-links listed below:

*A is for Alex and the Bees

*B is for a Bride in the land of Gods

*C is for a Cypriot Honeymoon

*D is for Delight in Impermanence

*E is for Escape like an Earthworm

*F is for Free Cola and Friends

*G is for Gardens and the Gates of Shambhala

*H is for Hurting on High Line

*I is for Idiom Book Sellers

*J is for Julie of Maunda

*K is for Kumarakom in Kerala

*L is for Lessons learnt in Brihadiswara

*M is for Mudras in Modhera

*N is for New Beginnings

*O is for O! Cloudsmen

*P is for Pudding in Planters' Club

*Q is for Quaffing beer at a Quaint bar

*R is for Rainbows on Table Mountain

*S is for Salt and Chillies

*T is for Trees Hussain draws

*U is for Unequal, Unique You

*V is for Vittels of morels, ferns and rose stems

*W is for The Wedding Album

*X is for X

*Y is for You and I and Yesterday

*Z is for Zikr

and *The Reflection Post (lists the blogs I connected with in April)

I hope to visit some more blogs in May.

Wishing you all good health and happiness.

Till we meet again.

Arti.

Z is for Zikr #AtoZChallenge

Dear Readers,

Welcome to the last post of the #Blogging from A to Z  April Challenge 2021. My theme this year is based on the Japanese concept of Ichigo Ichie which means--"What we are experiencing right now will never happen again. And therefore, we must value each moment like a beautiful treasure."

Today, we wrap up with a reminder.

I hope you'll enjoy being here.

Thank you.

Arti

There's a Peanuts cartoon that shows Snoopy and Charlie Brown from behind, sitting on a jetty beside a lake, having the following conversation:

"Someday, we will all die Snoopy!"

"True, but on all the other days, we will not."

The above extract is from  The Book of Ichigo Ichie.

The authors go on to say:

And "all the other days" are made up of encounters and moments that we either allow to slip away or make unforgettable.

According to Wikipedia, Zikr (Urdu) is the same as Arabic Dhikr. Zikr literally means "remembrance, reminder" or "mention, utterance". They are Islamic devotional acts, in which phrases or prayers are repeated.

What better way to complete a series inspired by Ichiego Ichie than to remember this April of bonhomie we managed to nurture despite the world crises; to mention all those whose paths crossed with mine, to utter words of encouragement and gratitude to those who visited and commented, and above all to remind ourselves that we are all one.*

I once heard a wise person say: the air that you think divides us actually holds us all together as one big family. In a dark and twisted way, Covid-19 has proven without a doubt that we are all one race--the human race. We are all in it together. We all suffer the same. And yet, we refuse to accept this simple truth.

That which binds us also divides us. It has many names, many theories. Some doubt its existence and some are ready to die to prove their interpretation is better than the rest. Some call him God while others see her as the vast Universe. 

Whenever I lean into my kind of belief system: poetry, nature, music and books, I find that all of us are, after all, seeking the same. 

We are all sitting with Snoopy and Charlie Brown on that pier. 

So, let us live and let live. Let us indulge in Zikr and recite any name, sing any song, dance any which way because in the end we are pigments of carbon housing a light that can light us up as brightly as the sun, if we have eyes that see and hearts that are willing to be open and welcoming.

"Sufis believe you must empty yourself of all egocentric tendencies before you can experience the divine. Only once the flute is hollow, can it produce music. The story Rumi tells is of a reed separated from the reed-bed so that it can be formed into a flute. The reed flute bemoans his separation, and cries out."  

says the author of this post: Drunk in Zikr (worshipping through the arts)

I urge you to stop and listen to Rumi's Ney Name before you read on.

How do you feel? Hollow? Full? At peace? Not quite?

No worries, let the hills of Khasi in Eastern India bathe you with their story water for a few moments. You will see that despite different centuries and different continents, the flute and the duitara sing the same song. 

If you want to stay on for a bit, you can click on: Mawphlang: of sacred groves

I'll repeat and repeat and like the Sufis get drunk on this zikr--we are one. We are one. We are one.

But, we have to pay attention. We have to pay attention to each other. 

It's not my intention to preach. Please forgive me if in my excitement I become entangled in the yarn of repetition. 

Those of you who heard the poem, Yesterday is not alive I posted yesterday, know how I feel about phone screens. The Hindi word I used in the poem is called virah which means a longing. My longing for my husband's attention may sound petty and needy but if we are all carrying the Divine light in us, then doesn't paying attention to each other amount to paying attention to the Divine? 

This short film is called Virah. The producer of the film is Raman Iyer, an amazing story teller and mandolin player who has been telling a story every night for the past 387 days on Instagram under 'Midnight Musings with the Mandolin'. 

Zikr can be done in any form. 

I choose to remember the kindness, generosity, knowledge, beauty and love I have felt in this place, in this space with you all this month. I choose to be in Snoopy's camp and live, live, live my moments of breath so fully and fabulously that when the time comes to draw my last, I can say--I lived.

I hope to see you all soon. We shall reflect more fully in May.

Till then, take good care of yourselves and each other. Wishing you all a wonderful, peaceful, restful weekend with my favourite Ramdas's words, "We are all walking each other home." 

*I hope to thank everyone properly in my reflection post in May.

***** 

Last year, I wrote about the Light in Zarraa, Zarraa

This year, I'm participating in #BlogchatterA2Z  powered by theblogchatter.com 

Y is for You and I and Yesterday #AtoZChallenge

Dear Readers,

Welcome to the penultimate post of  the #Blogging from A to Z  April Challenge 2021. My theme this year is based on the Japanese concept of Ichigo Ichie which means--"What we are experiencing right now will never happen again. And therefore, we must value each moment like a beautiful treasure."

Today, I'm sharing a poem about an ordinary, everyday, evanescent moment that got captured in the amber of attention and turned into a delight.

I hope you'll enjoy being here.

Thank you.

Arti

One of the Eight Zen Lessons for an Ichigo Ichie Life, listed in The Book of Ichigo Ichie is:

Savour this moment as if it were your last breath.

You can live only one day at a time, and no one can be certain that they will wake up the next morning. So, let's not postpone happiness. 

The best moment of your life is always this one.

This happened one morning as I lay in bed; in the in-between time of sleep and wakefulness.

When words pitter patter on half-opened eyelids, magic mingles with moments that hang precariously on the edges of that which has been lived and that which is yet to be.

I try to hold on to them in my hands, my mind, capture them in my pen to feed the hungry, empty pages of my notebook lying by the bed. But, they flutter away as gently as they'd arrived into crevices that exist in between wakefulness and dreams.

Yesterday, while I lay in bed looking at my love, the early morning sun reached him and me, rising through paper blinds that hang from our bedroom window beams.

These words appeared or did I see them for the first time?

Perhaps, they've always been planted inside those translucent concertina folds of the paper blinds.

I don't know, but a love poem rose with diamonds of dust and settled on wrinkles of pillow covers, dove blue-pale and soft with washes. 

The poem is called You and I.

I shared it on Instagram--so, it may be familiar to some who read it then.

You and I

You and I

we fit

your breath, my skin

my kiss, your lips

your heart, our beat

gaps between my fingers

your presence fills.

You and I

we fit

like dew on petal

one on one

complete.

A moment such as this

captured in bliss

you and I

we fit.

Just in case you're wondering about the overly romantic tone of today's post, let me shift the blame from my heart and put it squarely in the weather gods' box. It's raining in Doha!

This happens rarely and last year we didn't get much rain at all. So, it's celebration time. I can hear birdsong over the pitter-patter of rainfall, the neem blooms are dancing like drunken souls, all the leaves--big, small, lush, dusty look like they've seen God. They look so happy. The bulbul and the mynah aren't taking refuge. No sir! They're busy gobbling mulberries and dancing on the branches. Pink Oleander blooms are nodding as if to say--these young'uns -- and the blushing bunches of Madhumalti (Rangoon creeper) from the other end of the garden are sighing happily --'Yes, We know!' they whisper to the music of this long-awaited rain.

We are all dancing with joy.

I had to capture this precious, precious moment for who knows when the clouds will get heavy again and when they will want to let go of their burden and when the stars will align for their shedding to happen over Doha sky? Who knows.

The rain is distracting me:)

I almost forgot to mention that if by chance (after reading the poem above) you're imagining the husband to be flawless and that the two of us often sing duets into sunsets, let me stop you right there. He comes with as many faults as I do.

But his biggest obsession that I have the strongest objection to is his phone. Yes, I understand his work demands it--no, seriously, it does. But Covid-19 induced sequestering had taken his obsession to a new galactic level.

There I was--paying attention to dust diamonds and there he was -- paying no attention to what I was saying. All his attention was dedicated to the phone screen. I would've called it murdering Ichigo Ichie if I had known the term then. But I didn't. So what did I do? I wrote a poem, recorded it and shared it on Mirchi Scribbled.

He got the message loud and clear. He was the one who recorded it! He had to listen. I'm glad to report that he makes time to put his phone down and listen, really listen these days. We are both learning to find our way to be more like dewdrops and petals.

If you're wondering what I'm on about, you'll understand after you watch it:

It's called, Yesterday is not alive.

When I saw the video again, just before posting it, I noticed all the faults/mistakes/pauses/ fumbles but after the X post of yesterday, I'm cutting myself some slack and offering you poetry with a grateful heart.

Are you a lover of rain?

Do you live with someone who's too attached to their phone screen or any screen?

Do you write letters or poetry to make your voice heard?

You know I'd love to hear, if you'd like to share.

This year, I'm participating in #BlogchatterA2Z  powered by theblogchatter.com 

X is for X #AtoZChallenge

Dear Readers,

Welcome to the last week of the #Blogging from A to Z  April Challenge 2021. My theme this year is based on the Japanese concept of Ichigo Ichie which means--"What we are experiencing right now will never happen again. And therefore, we must value each moment like a beautiful treasure."

Today, we look at a section of the book titled: 'The Cracked Pots."

I hope you'll enjoy being here.

Thank you.

Arti

In The Book of Ichigo Ichie, I came across an old Indian parable that I've heard before.

This illustration of 'A Water Carrier or Bhestie', however, 

is borrowed from www.oldindianarts.in

to help me with the retelling.

According to the parable, a water bearer carried two large pots of water to his master's house every day. One pot was perfect while the other had several cracks. As a result, the amount of water delivered by each pot was unequal. 

The cracked pot was ashamed of its inadequacy and one day decided to speak to the water bearer: 'I'm ashamed of myself. I want to apologise to you. Because of my cracks you can deliver only half my load and get paid only half the money.'

The water bearer smiled and told the pot to notice the path carefully on their way back. The pot noticed many beautiful flowers all along the path. 

"Have you noticed the flowers grow only on your side of the road?" the water bearer pointed out. "I've always known you are cracked...I planted seeds along the route we take, and you have watered them each day without noticing...If you weren't the way you are, with all your cracks, I would still be walking through a desert."

*****

As usual, I picked up the hefty Concise Oxford English dictionary today to look for  a word I'd be able to use in the title. I wanted something that would fit with the thought I had for today's post. 

I find rifling through pages of a dictionary yields more than searching online. A flick of a page and you're burrowing in different galaxies with all the back information on how that word came to be. Nothing can replicate the lost and found feeling of holding and reading a physical dictionary.

Occupying mere two pages of this heavy edition, X looked sparse. Then it didn't.

I had hoped to find something that would fit the idea of exclusion; a word that describes something being discarded because it's not perfect. I didn't find anything.

I was about to turn to E (for ex instead of  x) when this caught my eye and I smiled. I 'd found my X. 

Lying next to each other were these two (among other) uses of a cross-shaped written symbol

¬ to indicate an incorrect answer. ¬to symbolize a kiss 

Entries starting with the 24th letter of the alphabet occupy the least amount of space in the dictionary, but X turned out to be quite extraordinary on its own. Don't you agree? 

As a photography enthusiast, I often find that the pictures I make don't match the image in my head. Nine out of ten times, it's due to my limited technical knowhow. I don't like to read manuals. Doing is the way I learn. It's not the most efficient method but it suits me. Trial and error, they call it.

A lot of the times, a lot of my clicks have to be discarded. But, sometimes, the out of focus, blurry images like the cracked pot, turn out to be more beautiful than the perfect ones.

What do you think? 

So, next time, before you mark a mistake with an X, think about the water bearer's seeds and the kiss that lies right next to it on a page in an old, loved dictionary.

Trust your creative process. Be kind. The electric bulb lit up after many wrong turns. Turn your deserts into gardens with love, grace and forgiveness.

Is there an X you'd like to share?

Has an out of focus picture, a discarded project, an unloved piece of art made you jump with joy because in its incomplete, imperfect state it illuminated your stories and myriad mysteries more perfectly?

You know I'd love to hear, if you'd like to share.

This year, I'm participating in #BlogchatterA2Z  powered by theblogchatter.com 

W is for The Wedding Album #AtoZChallenge

Dear Readers,

Welcome to the last week of the #Blogging from A to Z  April Challenge 2021. My theme this year is based on the Japanese concept of Ichigo Ichie which means--"What we are experiencing right now will never happen again. And therefore, we must value each moment like a beautiful treasure."

Today, I'm looking at my wedding album with Ichigo Ichie eyes. 

I hope you'll enjoy being here.

Thank you.

Arti

Story Water

A story is like water

that you heat for your bath.

It takes messages between the fire

and your skin. It lets them meet,

and it cleans you!

...

Water, stories, the body,

all the things we do, are mediums

that hide and show what's hidden.

Study them,

and enjoy this being washed

with a secret we sometimes know,

and then not.

Above is part of a poem borrowed from The Essential Rumi, translated by Coleman Barks.

The Wedding Album

Bound in blue, it lives 

inside a bag of cloth lying

at the back of my wardrobe.

I open it rarely but whenever I do,

It pulls me in.

The wardrobe's sliding doors 

don't come in the way

of my entry into Narnia of that one sunny yesterday--

my wedding day.

Snapshots of happy, sad moments are glued on thick snowy pages:

on the verge of showing signs of wear 

and going yellow at the edges.

Smiles, tears, flowers, sindoor

lie frozen behind plastic doors.

I sit on the bedroom floor holding 

Einstein's theory of relativity.

The windows of a train he'd mentioned 

are stuck in an album bound in blue.

Bitter-sweet moments zoom past fast 

escaping the wardrobe through and through.

In a whirlpool of time, like Alice I slide

down 

into my present, future and past.

Marriage seeds sown for new lovers

who'll meet,

And some happily ever-afters that will split.

Children yet to be born.

Parents, grandparents that will soon be gone

leaving behind stories

rippling

in waters of memories to be reflected upon.

Bubbles of things that were left unsaid

and the love that should've been shown

will burst and form again and again

as every page is turned.

Vacant looks in Beji's eyes

will bloom into Alzheimer's plight.

She'll forget me soon after the wedding.

It won't matter if I visit her: I'll justify my busy life for me.

 

Twenty-six years of life

sit caught and bound

in an orange and gold bag of cloth

at the back of my wardrobe.

The pale pink heirloom, his family gave me,

brings me back in time.

I look at it--gota-patti running in fine Punjabi design.

Jasmine, henna, his eyes, his 'you look beautiful,' 

will continue to shine

my everyday, ordinary and that Mr. Einstein

is how I understand

relativity of Time.

The pale pink scarf with gota-patti

Our wedding album has seen more light in the past one year than at any other time in the past two decades. I reckon, the sequestering (at least for me) is making me more nostalgic, not just for the recent past but for the past, past as well.

What about you? Have you picked up an old album recently?

Are you the keeper of a family heirloom?

You know I'd love to hear, if you'd like to share.

Leaving you with this very short video. I think you'll love it as much as I do. It's 'a snapshot of an ancient past captured in time.'

This year, I'm participating in #BlogchatterA2Z  powered by theblogchatter.com 

V is for Vittels of morels, ferns and rose stems #AtoZChallenge

Dear Readers,

Welcome to the last week of the #Blogging from A to Z  April Challenge 2021. My theme this year is based on the Japanese concept of Ichigo Ichie which means--"What we are experiencing right now will never happen again. And therefore, we must value each moment like a beautiful treasure."

I've put together a collage of such moments which can be seen as chance occurrences, coincidences, pre-destined or random (depending on who you ask) for this month's challenge. 

I hope you'll enjoy being here.

Thank you.

Arti

Number 6 in the list of rules listed in the epilogue of  The Book of Ichigo Ichie is:

Apply mindfulness to your five senses: Train yourself in the art of listening, watching, touching, tasting and smelling to give each moment the richness of human perception.

You may recall my first post, Alex and the Bees, of this year's A to Z Challenge. It described a moment in May 2019 when Alex, Apu and I were sitting in Pradhanji's house in Maunda, the last village of Uttarakhand.

I mentioned in that post that we had been exploring the village and its surrounding forests before we stopped for tea at Pradhanji's house that day.

I was looking for a suitable V to use in the title of this post: verdant, vegetarian, very tasty, when 'vittels' showed up. It's a nonstandard variant of the word 'victuals' meaning food or provisions for human beings. Perfect, I thought and plucked the word out of its archaic, nonstandard usage to use it as the title today.

May 2019: 

As soon as we joined the small group of village-guides on the dirt road outside Guruji's house, our education began. Not a single tree, shrub, leaf, bird, insect we spotted on our walk that morning was left un-named or un-explored.

Wild roses were heavy with pale, pink blooms. Their rebellious vines had carpeted everything in their way. We stopped. Picked a thorny stem. Learnt about the parts that are bitter and the ones that are sweet.   

And then we ate:

Having tasted success and rose sweetness on the first day out, our food foraging plans grew bolder. Alex mentioned morels and wondered if May would be a good time to go morel hunting.

"Of Course!" everyone said. "No harm trying...if weather permits."

So, the next day, fortified with pahadi (mountain) picnic food, Pradhanji, Guruji and Veeru led us deeper and higher in the forests and hills surrounding the village.  Our volunteer guides walked in slippers while the three of us laced up our trekking shoes and tucked our walking sticks in our bag packs. The morning was clear and crisp, not a cloud was visible in the sky.

 

Our first find was fiddle-head ferns or lingda (local name). It's also called German asparagus. It is delicious. 

Recipe: Wash the young stalks, take out the stringy sides, chop them into half inch pieces. Heat some butter/ghee, stir in the lingda for a minute or two. Add salt and eat. Yummy!

The climb up the mountain, covered with deodars and oaks and a thick undergrowth wasn't easy. But, every now and then, food would be spotted, picked, explained and  recipes discussed. Those stops were enough to recharge our lungs.

Pradhanji and Guruji scampered ahead like deer.

Veeru stayed with us: guiding our city feet through forest floors. 'Walk this way, avoid that,' he'd pepper his chatter with helpful instructions. He told us about his dream of making a living as an artist based in the mountains. He  remembered his childhood aloud in the forest--recalling a time when foraging was a way of life, not like today when it was being done to show the visitors a side of their lives they themselves were on the verge of forgetting. 

Pradhanji called from up ahead. We joined him, He showed us the gold he'd gathered. Forest oyster mushrooms are called chhatri or the squeaky sounding chyanoon by the locals.

After this point, I had to tuck my camera under my arm to use both my hands to scramble up the slippery slope where the men were sure they'd find morels. They'd seen some last year, they said, in this part of the slope. It amazes me how their eyes can spot so easily and their memories recall so clearly without maps or a GPS! While someone I live with (not taking any names) can't spot salt in the kitchen cupboard! 

"Aa jao...yahan hain." (Come over, spotted some) called out Pradhanji.

They'll  find better ones growing near this one. And I'll try to use my camera, not the phone.

This was the hardest photo to click. My foot kept slipping. I wouldn't go too far down if  I slipped but getting hurt, twisting an ankle or scraping a knee, would've made the climb down and the trek back to the village pretty onerous.

Notice how all three of us are holding on to branches...photo courtesy: Veeru.

After another half an hour or so, we reached the top. Twigs and dried leaves were collected to roast the steamed cakes (called Sidku) that Julie and her helpful neighbour had prepared and packed for our planned picnic in the forest.

The dough for sidku is prepared with flour mixed with boiled potatoes. Doughnut size dough balls are steamed. They're quite dense. One piece and you don't need to be fed for the rest of the day. Easy food to carry when one is travelling through forests and mountains. We were told these can be filled with poppy seeds, too. Soft sniggers, wicked winks and general hilarity accompanied that piece of extra information. Julie told us that just one of those poopy seed buns was enough to knock you off into happy land for many hours.

The ones we ate that day were prepared simply with potatoes and salt. Sidku was roasted in the fire and eaten with chillies under the shade of tall and wide deodars. Birds were busy singing. Ants were busy working. The six of us munched and absorbed the mountain in silence.

After enough time had passed, we got up and carried our forest loot back to the village. 

Sadly, in their enthusiasm to impress us with their culinary skills, the men used too many spices in the morel dish. Alex, Apu and I would've preferred a simpler preparation. But we thanked them for their hospitality and discussed the 'what if' among the three of us afterwards.

The fiddle head fern or lingda, however, was cooked to perfection: simply and quickly, using ghee, garlic, salt and pepper.

We polished it off with gusto.

You may recall from J is for Julie post that when we had visited the village in October of 2018, Julie had told us she didn't like to cook. It was good to see her feminist ways had found her helpers in the kitchen by the time we went back in May 2019. 

Pradhanji and Julie's  brother-in-law, Kishen, prepared dinner that night.

The fact that this post has more short clips or V for videos makes me smile:) 

Have you ever foraged for food in the wild or outdoors?

Do morels grow where you live?

What's you favourite spring-time vegetable? 

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