Tuesday, 7 April 2026

Day Seven #Na/GloPoWriMo

Day 7 Prompt:

In her poem, “Front Yard Rhyme,” Cecily Parks evokes the sing-songy beats that accompany girls’ clapping games, and jump-rope and skipping rhymes. Today, we challenge you to write your own poem that emulates these songs – something to snap, clap, and jump around to.



For the sake of argument, let's say we know what truth is


Fee Fee Fiasco

Fee Fee Fiasco

                                              The less we truth

                                              The more we show

Fee Fee Fiasco

                                               The more we show

                                               The less we grow

Fee Fee Fiasco

                                               The less we grow

                                               The more they roar

Fee Fee Fiasco

                                                The more they roar

                                                The less we think

Fee Fee Fiasco

                                                The less we think

                                                The more they war

Fee Fee Fiasco

                                                The more they war

                                                The more we shrink

Fee Fee Fiasco

                                                The more we shrink

                                                The more they lie

Fee Fee Fiasco

                                                The more they lie

                                                The less we truth

Fee Fee Fiasco

Fee Fee Fiasco

 


Thank you for visiting, for reading and for your wonderful comments dear readers and fellow poets. 

Monday, 6 April 2026

Day Six #Na/GloPoWriMo

Day 6 Prompt:


Our daily resource is Nobel-winning poet Louise Glück’s essay, “Against Sincerity.” Here, Glück muses on the difference between honesty and truth, and how, in poetry, words that ring true are not necessarily those that are “honest” in the sense of recounting events as they happened. After all, a poem isn’t a newspaper article. Making art means selecting, trimming, choosing, exaggerating, and even deceiving, all in service of a goal that differs from a bare recitation of facts.

And now, to put theory in our practice, here’s our optional prompt! This one takes its inspiration from Yentl van Stokkum’s poem, “It’s the Warmest Summer on Record Babe,” which blends casual, almost blasé phrasing with surreal events like getting advice from a bumblebee. In your poem today, try writing with a breezy, conversational tone, while including at least one thing that could only happen in a dream.



 Dendrophile’s nightmare

 

within minutes of me commenting, ‘i’m a Dendrophile,’

online,

the landlord’s men rang the doorbell.

their boss, a woman dressed in a black cloak, hooded eyes, hair spun

like the softest tendrils on pumpkin vines, back lit against the mid-day sun,

said,

‘these trees—

pointing to five strapping lads—3 Neem, 1 Bodhi, 1 Banyan

—must go.’

 

‘if they go, I go,’ I started steady, smooth even, then burst—

‘i planted them. they are my babies. they’re home to at least a hundred birds.

 

they gawped—the black-cloaked manager and her team of tree hackers—

with eyes as wide as ditches,

where trees trip up, scrape their knees and dead birds lie, forgotten--

as if they never sang a single lullaby

 

then, they pointed to the crack in the boundary wall

 

agreed, the gap has grown since the last time I saw it. at first,

the chink

resembled a wink—

(a gardener has many friends, including cracks in concrete)

then it yawned into a portal, now

a jagged street is growing upwards,

like a river taking the plunge to trace her roots

she’s decided to flow from the mouth to the source

in search of something, maybe a ripple or to fix a rupture

with family, father, mother

 

one day, i told myself, one day, i’ll fold

an A4 sheet of paper and turn it into a boat,

the gentle neem’s branch could easily be my oar

and under the shade of the Bodhi tree

I’ll soar, down this crack’s creek

to cover the lunula

(or half-moons, if you prefer)

between me

and

the real me

 



Sunday, 5 April 2026

Day Five #Na/GloPoWriMo

The day started with zero ideas. Then I read Kim Russel's Don't walk, swim

My poem today started off silly and overdramatic (as per prompt) but then it decided to go somewhere else. Here goes...



No means No

 

I hate it when you compliment the girls

I should’ve said boobs but was raised a prude

Then Kim wrote about the pair in her eyes

Crossing a line, lane –

Yet she continued swimming against the yack-tide

I thought, I could do the same

you know

Call them boobs, too

Use the nomenclature

To drill home my point—

I love you, but hate the precedence set

Me melons first, then a kiss

I just can’t do it

Use the B word

 

I’ll call them Cupid’s Kettle-Drums, instead

Like they did in the 1770’s

That’s more like me—

a warrior and a romantic

 

From this day on,

If blind people say, she’s asking for it

When a pair, or even a single breast

(post mastectomy)

Radiates in a low cut, or full-fills a cup

We shall rise

In the name of Boudicea’s bodice

We shall rise

All as One—Victorious Women,

Assigning meaning to words.

 

 __________________________________

Day 5 Prompt:

And now, here’s our prompt for the day — totally optional, as usual. The Roman poet Catullus wrote a famous two-line poem:

Odi et amo: quare id faciam fortasse requiris.
Nescio, sed fieri sentio et excrucior.

Here’s an English translation.

                I hate and I love. Why do I do this, you ask?
                I don’t know, but I feel it happening and am tortured.

I thought about this poem the other day when I read a social media post collecting sentences from Charles Darwin’s letters, including:

                “Oh my God how do I hate species & varieties.”

                “I am very tired, very stomachy & hate nearly the whole world.”

                “I am very poorly today & very stupid & hate everybody & everything.”

                “I hate myself, I hate clover, and I hate bees.”

                “I am languid & bedeviled & hate writing & hate everybody.”

I must confess, the idea of being so grumpy that you have come to hate clover and bees is highly amusing to me. Today, your challenge is to take a page from Catullus and Darwin, and write a poem in which you talk about disliking something – particularly something utterly innocuous, like clover. Be over the top! Be a bit silly and overdramatic.

_______________________________________

Thank you for visiting my blog. And special thanks to those of you who grace me with their comments. 

Zekreet, November 2025


Saturday, 4 April 2026

Day Four #Na/GloPoWriMo

Day 4 Prompt: 

In his poem, “Spring Thunder,” Mark van Doren brings us a short, haunting evocation of weather and the change in seasons. Today, we’d like to challenge you to craft your own short poem that involves a weather phenomenon and some aspect of the season. Try using rhyme and keeping your lines of roughly even length.


Uncharacteristic—this March of ’Twenty-Six

 

When our windows rattle and shake

At noon, night, or day            break

 

We pray ’tis an unseasonal storm

Not the prophesied locust swarm

 

Nor missiles, drones, or fighter planes

Clouding our skies, emptying our lanes

 

We Look! We Listen! Sirens, then rumble

Lo! A Sonic boom! Sans sleep we tumble

 

Out of our skins to Pull the curtains back

See! There’s rain. Pitter. Patter. Black.

 

Un-seasonality, we have grown to accept

Islands sink, ice melts far away. We slept.

 

But the unnatural has knocked on our door

this time. So, how do you suppose we ignore

 

Such a travesty? We fear for/our habitat—the fence.

While March marches forth in gusty columns dense--

 

With baited breaths, we watch Ramazan, Eid, Holi

arrive and pass over muted dinners of limp broccoli

 

But Hope turns tantric, tantrums a trance, scrubs ash

On third-eyes, foreheads. We spring clean, clear cache.

 

Like a magician who knows

She unfurls 2026's first rose.



Friday, 3 April 2026

Day Three #Na/GloPoWriMo

#Na/GloPoWriMo 


And now, last but not least, here is today’s optional prompt. In his poem, “Treasure Hunt,” Prabodh Parikh brings us a refreshingly different view of what being a poet is like – that is, if you grew up on the cultural notion of poets being wan and ethereal, or ill and doomed. Parikh’s boisterous pirate of a poet might be an “unreliable” character, but seems like he’d be the life of any party, and quite satisfied with his existence. Today, we challenge you to write a poem in which a profession or vocation is described differently than it typically is considered to be. Perhaps your poem will feature a very relaxed brain surgeon, or a farmer that hates vegetables. Or maybe you have a poetical alter-ego of your own, who flies a non-wan, treasure-hunting flag with pride.


Dear readers and fellow poets,

I'm posting late today but glad to have made it. Thank you for stopping by. I look forward to your comments.

Thank you. 


A commitment-shy Sufi

'How about God then',
the Sufi, hell bent on digging turnips
in a snow storm asked his master
(who for the purposes of mystery has asked to be kept anon)

'What about Him?' the Master said.
'Why not Her?' the Sufi protested, taking a break from
tugging at the bulbous root.
The Master gurgled deeply into his sheesha
and said, 'What about God?'

'Lost the bloody plot', the Sufi looked up at the blue, blue sky.
'Language!' his Master reprimanded, knotting his hand spun khadi
scarf exactly like Clint Eastwood did in a movie once.
'On this path my son, we surrender to the beloved', the Master rallied.

'How long must I wait?' The Sufi said.
'As long as it takes.' His master patted his back.
'How will the beloved know where to find me?' the Sufi said.
'He’ll know. He found me.' The Master assured.

'It was a different time. Back then the oceans and the rivers were clean.
And no matter what language, what colour of skin
you were heard, you were seen', the Sufi said.
'We are seekers, not makers of make-believe.' The master said.
'This world has always been one part good, one part obscene.'

'You mean to say babies were butchered before?
That there were genocide and gore?
That while the powerless bled, the powerful held on to even more?
That while reason slept, common sense turned farcical, became a folklore?'

'What do you think?' The master smiled his beatific smile.
'I’m not sure. It doesn’t make sense.' The Sufi said.
'It is what it is, my son.' The master proclaimed.
'I think I’ll need another technique to uproot this brassica

or should I be like you said—it is what it is—and not worry
if we go hungry today, tomorrow, for evermore?'




Thursday, 2 April 2026

Day Two #Na/GloPoWriMo

#Na/GloPoWriMo 



Today, we’d like to challenge you to write your own poem in which you recount a childhood memory. Try to incorporate a sense of how that experience indicated to you, even then, something about the person you’d grow up to be.

The poem for Day 2 has been removed. But here's the link to the featured poet: aetherianessence

Thank you for visiting. For more writing by yours truly, visit my website: www.arti-jain.com


Last month's full moon, Doha, Qatar.

Wednesday, 1 April 2026

Day one #Na/GloPoWriMo

Dear Readers,

I hope you've been well. This is my first blogpost of 2026. I've been more absent than present in blogsphere. 

So, what better way to spring into action than to jump into a challenge to write a poem a day.

The NaPoWriMo site has a tag line: There is so much to discover.

Despite the demands on my time this April, I've decided to open up to muchness and discovery. 

In order to make this challenge easier for myself, I've decided to give myself an hour (and no more) after I've read the prompt to write and share. Therefore, these poems will be first drafts. I am taking off the scaffolding of rewrites and second, third thoughts this time. I plan to catch up on reading other poets last thing at night. Hopefully, I can keep up. Wish me luck.

Also, I will take these poems down after a week of posting, so that I'm able to submit their best versions to poetry journals, sometime in the not so distant future. 


Today, we’d like to challenge you to write your own tanka – or multi-tanka poem. Theme and tone are up to you, but try to maintain the five-line stanza and syllable count.  The tanka is an ancient Japanese poetic form. In contemporary English versions, it often takes the shape of a five-line poem with a 5 / 7 / 5 / 7 / 7 syllable-count – kind of like a haiku that decided to keep going. 


I've removed my tanka.

But sharing a poem by Rahul Gaur who was the featured participant on Day One.