For today, try writing your own poem that uses an animal that shows up in myths and legends as a metaphor for some aspect of a contemporary person’s life. Include one spoken phrase.
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Monday, 20 April 2026
Day Twenty #Na/GloPoWriMo
Sunday, 19 April 2026
Day Nineteen #Na/GloPoWriMo
And now for today’s (optional) prompt. The word florilegium refers to a book of botanical illustrations of decorative plants and also a collection of excerpts from other writings. In her poem, “Florilegium,” Canadian poet Sylvia Legris gathers together many five-lined stanzas that describe flowers but also play with the sounds of their names, their medical (or poisonous) qualities, and historical aspects of herbalism. Today, pick a flower or two (or a whole bouquet, if you like) from this online edition of Kate Greenaway’s Language of Flowers. Now, write your own poem in which you muse on your selections’ names and meanings. If you’re so inclined, you could even do some outside research into your flowers, and incorporate facts that you learn into your work.
Saturday, 18 April 2026
Day Eighteen #Na/GloPoWriMo
Finally, here’s our prompt for the day (optional, as always). When I was growing up, there was a book of poems in my house (I believe it was The Best Loved Poems of the American People) that was heavy on long, maudlin, narrative poems with lots and lots of rhyme – the sort of verse that used to be parodied on Bulwinkle’s Corner. As the twentieth century rolled in, poems like this were relegated to the status of stuff-schoolkids-were-forced-to-memorize, and they plummeted even further into our cultural memory-hole as learning poems by heart fell out of educational currency. But while some work in this style is extremely cringeworthy (I’m looking at you, “Bingen on the Rhine”), they can also be very fun to read. Take, for example, Sadakichi Hartmann’s “The Pirate,” or Alfred Noyes’s “The Highwayman.” The action is dramatic, there’s lots of emotions, and the imagery is striking.
Today, we don’t challenge you to write all of a long, dramatic, narrative poem, but we invite you to try your hand at writing a poem that could be a section or piece of one. Include rhyme, include unlikely and dramatic scenes (maybe a poem about a bank robbery! Or an avalanche! Or Roman gladiators! Or an enormous ball held by mermaids, where there is an undercurrent (hee) of palace intrigue!) Basically, a poem with the plot of an opera (evil twins! Egyptian tombs! Star-crossed lovers! Tigers for no apparent reason!)
Happy writing!
Friday, 17 April 2026
Day Seventeen #Na/GloPoWriMo
And now for our (optional) prompt! Sergio Raimondi’s poem, “Today Matsuo Basho Cooks,” plays on the following haiku by (you guessed it), Matsuo Basho:
Crimson pepper pod!
Add two pairs of wings, and look—
darting dragonfly.
For today’s challenge, write a poem in which you respond to a favorite poem by another poet.
Thursday, 16 April 2026
Day Sixteen #Na/GloPoWriMo
And last but not least, here’s today’s optional prompt. In “Ocean,” Robinson Jeffers delivers an almost oracular, scriptural description of the sea not just as a geographical phenomenon, but a sort of being – old, wise, profound, and able to teach those who want to learn. Today, try writing a poem in which you describe something that cannot speak, and what it has taught or told you.
Happy writing!
Wednesday, 15 April 2026
Day Fifteen #Na/GloPoWriMo
And now for our prompt (optional, as always). K. Siva Reddy’s poem, “A Love Song Between Two Generations,” weaves together repetitions, questions, and unexpected similes with plain language. The overall effect is both intimate and emotional, producing a long-form meditation on what love is, what it means, and how it acts. Today, we’d like you to write your own poem that muses on love, but isn’t a traditional love poem in the sense of expressing love between romantic partners.
Tuesday, 14 April 2026
Day Fourteen #Na/GloPoWriMo
And now for our (optional!) prompt. Poetry is an ancient art, and one that revisits themes that existed thousands of years ago – love, nature, jealousy. But that doesn’t mean that poets live in a sort of pre-history unaffected by technological advances. Emily Dickinson wrote about trains, and I’m rather charmed by this 1981 poem about the “incredible hair” of actors on television. In a more recent example, Becca Klaver’s “Manifesto of the Lyric Selfie” draws inspiration from the contemporary drive to document everything in digital photographs. Today, we challenge you to write a poem that similarly bridges (whether smoothly or not) the seeming divide between poetry and technological advances.
Happy writing!


