Friday, 2 April 2021

B is for a Bride in the Land of Gods #AtoZChallenge

"The life of the land is the life of the people."

 - Tahitian Proverb

(quoted from the documentary 'Moving Art' on Netflix)

Dear Readers,

A little background about today's post: The poem that follows captures an unexpected moment which transpired while we (our party of trekkers) were resting after a long and arduous climb in Uttarakhand which is also know as Devbhoomi, the land of the Gods,  for there are many ancient temples located at great altitudes here which are considered essential to visit once in ones lifetime in popular Hindu belief. However, the massive ongoing roadbuilding projects in the area which promise to usher in an era of progress and make it easier to visit 'god' are creating a very different landscape. We were on our way to Kuari Pass in May 2019.

I'm nostalgic about how my home-state used to be before progress knocked on its door.

Devbhoomi (land of the Gods) 

Dry and dusty was the path.
Rocks lay splayed in thirsty gasps.
No breeze,
no shelter,
limited rations of water.

A tree at last
sprouted in sight
and broke our sultry stride.

Rest. Recuperate. Hydrate.
It was time for a break.

We sat strewn around the tree:
all of us humans
helter-skelter
moaning the progress
in painful view:
a mega road that would bring one and all
to the Gods
conveniently.

Our solitary tree 
watched the scene with us,
stoically.

Will the Gods even want to stay on after all the development is done?
I wondered.

She appeared as a red dot, fringed in gold
twinkling with silver.
Like hope on a forgotten horizon, I saw her
beaming into her future.

May I?
I asked.
She agreed coyly and ordered her groom to pose with her.
Click. Click. Click.

Captured. Still. Delight.

Who would've thought a bride
red, sparkling, joyful in high heels,
would appear out of nowhere
to sprinkle colour
on my state's grey and white?



The bride and her groom and the rest of the wedding party had to reach a bus stop about 2 kilometres away to board the bus that would take them to the groom's village. So, they were in a hurry. 

Her silver anklets sang happily as she walked down the hillside in her pretty heels. I remember looking at my bulky boots and laughing at my inadequacies. 

She'd told us that they'd walked a little more than 10 kilometres from her village to reach the point we'd met by chance. 

I do see the point of roads and convenience. But, these communities have sustained themselves and their mountains for generations and continue to do so. I'm sure they are capable of carrying on. I'm sure their wisdom will keep them and their lands safe. But, are  planning boards and economic gurus ready to listen to them? Is progress another name for greed?
 
Do trees need to be cut and mountains blasted? 

We watched the wedding party make their way down merrily. The ubiquitous drunk uncle sang and danced loudly, slowing their progress, while the younger cousins waited ahead. 


As Covid 19 makes travelling back to India and consequently trekking impossible for now, I've been consoling myself with nature documentaries on Netflix. Almost all the ones filmed in recent years question the impact of humans on this planet's resources. I do wonder when we will wake up to the reality of our actions.

Has your hometown/state/place of residence resisted progress to keep green? I'd love to know.
*****

This year, I'm participating in #BlogchatterA2Z  powered by theblogchatter.com 

Thursday, 1 April 2021

A is for Alex and the Bees #AtoZChallenge

"Before beginning to study the sacred texts and constantly singing the sutras, the student should learn to read the love letters sent by the snow, the wind and the rain."

-IKKYU, Zen Master 

Quote borrowed from  'The Book of Ichigo Ichie'

Dear Readers,

For the first post of this challenge, I'm sharing a snippet from my travel memoir of Maunda, a remote village in Uttarakhand, northern India. The motorable road that goes to Maunda ends there. It goes no further. 

I hope you'll enjoy reading it.

Arti.

The morning sun sparkled across the slices of blue sky wedged between tall deodars and broad cedars as Alex, Apu and I explored the village and its outskirts with Pradhanji, the village chief, along with a couple of other villagers one day in mid-May in 2019. 

Every leaf, petal, fruit and tree that grew on the path was explored by us (the visitors) and explained by the villagers. If a shrub or tree wasn't used for food, it had medicinal or cosmetic uses. This was Alex's first time in Maunda. Apu and I had been to the village the previous year. After a couple of hours, Pradhanji invited us to his house for tea.

After the downstairs had been looked at and commented upon, Pradhanji climbed the stairs ahead of us and issued a request for tea for everyone in the general direction of the kitchen while beckoning the three of us to follow him upstairs to sit in his sitting room-with-a-view.

It’s a small L shaped room on the first floor with huge Garhwali style windows peering over the valley below. A few plastic chairs and wooden benches are placed perfectly to enjoy the verdant views.

Apu chose to snuggle up on a chair by the window. Alex sat by the door we had entered the room through and I sat opposite Alex, a foot or so away from Apu, facing the door, the back of my chair resting against the wall with a tiny hole. The hole in the wall was approximately an inch and a half in diameter with a broken and blackened circumference.

As soon as I settled into my chair, a bee, a honey bee, buzzed past me, hovered over Apu for a little while before deciding to fly out of the room.

Alex’s eyes watched the bee and widened with surprise.

Before the first bee reached the edge of the window sill, another bee appeared before me, buzzed, took a few curious circles around my hand holding my cup of tea and then followed the first bee’s route out of the window, flying past Apu.

Alex’s eyes were screaming silently by now. His fingers tightened their hold on his teacup.

Apu looked up at me. I smiled.

The trickle of bees had swollen into a steady stream by now. They were busy flying in single file out of the opening in the wall behind me and making a bee-line for the window.

Alex couldn’t hold it in any longer, “Bees! Honey bees!” he stated the obvious with barely hidden disbelief.

“They’re harmless.” Apu mentioned and went back to her day dreaming. She continued to gaze out of the window.

I was enjoying the look on Alex’s face, so I smiled to show him that all was well: he could chill. We had the same look on our faces last year when we'd seen the bees in this room for the first time. I'm not sure our assurances convinced him. Being a gentle soul, he continued to sip his tea but his eyes kept following each bee’s flight keenly. 

“Arre Alex Ji, these bees have lived here for as long as I’ve lived here.” said Pradhanji. “My father discovered this hive when we first started making a few changes to this part of the house--almost fifty years ago. He decided to let the hive be. We’ve all grown used to each other. We don’t bother them and they don’t trouble us.”

Just then, Pradhanji’s little grandson crawled into the room from the door next to Alex. Three bees were buzzing over his head like a noisy halo.

Alex smiled. I could see his eyes were taking in the miracle of symbiosis.

The little one gurgled and crawled eagerly to his grandfather who picked him up, kissed him and set him down again to continue with his crawling.

“What about the honey? Don’t you harvest it?” Alex asked.

“What they make is for them. That’s their food. We get our honey from the hives we farm.” stated Pradhanji.

For the rest of the afternoon, we sat in Pradhanji’s L-shaped sitting room looking out of the sky blue windows that framed mighty deodars and oaks standing tall and proud--all the way into the horizon--as far as the eye could see.

The little one crawled through the chairs’ legs, our legs, while bees buzzed around him like wound up toys.

Shangri-La is alive and well in a village in Uttarakhand where men let bees live in hives built inside houses because their ancient instincts show them how intricately bees and humans are bound together. That day, I was left wondering if they really need roads to open up their minds or  modern technology to teach them how to live and let live. 

But, who am I? I'm a traveller who appears once a year at their doorstep. It's the youth and the elders of this village who'll have to decide how to balance the modern with the ancient; how to learn to keep up with the times without unlearning the songs of the wind, the snow, the bees and the mountains.

(Pradhanji's house in Maunda)

The village of Maunda, Uttarakhand

*****

Have you ever come by a moment of symbiosis such as this?  
You know I'd love to hear, if you'd like to share.

This year, I'm participating in #BlogchatterA2Z  powered by theblogchatter.com 

Sunday, 21 March 2021

Theme reveal --by the skin of my teeth!

Drum roll please....


So, after wondering about going theme-less, as I've done in the past, I'm binding myself to a theme this year.

This will be my 5th A to Z Challenge.

I owe the A to Z a lot. This challenge helps me to focus. You see, the five months preceding April are my gardening months and when I'm with my plants and pots, nothing else matters. Blogging goes into hibernation but as soon as March arrives announcing the A to Z, it propels me to dust off my blogging cobwebs and wills me to sit and write.

Last year's posts got a lot of love from the readers. One such reader is an illustrator. He liked my posts about my childhood so much that he and I ended up planning a picture book together.

We met weekly on zoom calls as he's based in India, and I'm in Doha. Seeing his illustrations of my memoirs is thrilling and humbling. When one's words reach another in this way, it feels really special. The book is almost ready to show to publishers. 

A couple of  months ago, while I was browsing our local book store to figure out where to position our picture book, I noticed 'The book of Ichigo Ichie' sitting in the poetry section. Something made me pick the book up and read the first two pages. I bought it and brought it home.

Quoting from the book (authored by Hector Garcia and Francese Miralles):

The meaning of ichigo ichie is something like this. What we are experiencing right now will never happen again. And therefore, we must value each moment like a beautiful treasure.

Covid19 and its aftermath has shown all of us just how important valuing each and every moment is. 

While seeking inspiration for the forthcoming posts, I decided to rummage through the images I'd captured in 2019 when we'd travelled quite extensively. What struck me was that the chance, the coincidence, the magic, the moment that some of the photos had captured couldn't have been planned or prepared for. These were chance meetings, the coming together of so many elements that had even one been out of sync, the picture wouldn't have happened.

The concept of 'Ichigo Ichie (pronounced itchy-Go itchy-A) is the theme of this year's A to Z for me.

So, come along to this space on the 1st of April and join me for a month long celebration of chance that is intrinsically bound in moments as unique as you and me.

This year, I hope to share more photos than I did last year. Hanging a carrot for those who find me too verbose;)

Looking forward to April with hope.

Be safe and healthy.

Monday, 15 March 2021

So, I turned fifty this year

My dear friends and readers,

It's been a while since I've been here. My excuse? My garden and the fact that it's spring time in Doha.

Spring is very, very special here. The fact that summer arrives suddenly and brutally to these parts and stays for a very, very long time has something to do with my addiction for the outdoors in the months of January, February and March.

As always, I'm so absorbed in the tilling and toiling and potting and repotting that the arrival of the A to Z blogging challenge catches me unaware, unprepared and unable to figure out how in the world will I manage to write 26 decent posts worth your time!

But, somehow, I do. And this year is no exception.

I'm gonna do it. 

And while I go and ponder about a theme/no theme and dig into my camera that hasn't left Qatar for 12 months to figure out what I'll be sharing with you this year, I leave you with this spoken word piece that I wrote at the end of last year and performed a month ago.

It has been a year of sequestering, solitude and finding paths that lead me back to the simpler joys of life like sitting with a book under our neem tree listening to birdsong. Things I thought I'd miss a lot like travelling, trekking and seeing new places have not been missed as much. Perhaps, it's the realisation that there is so much to be thankful for as I turn fifty: good health, loved ones and friends, decent food,  fresh air, walks in parks, sunsets and sunrises, waves lapping to the shores, buds blooming and earthworms wriggling in my patch of green and a safe place I call home -- the most precious things that make this life blissful and that's plenty. 

I hope to see you soon. 

Take good care. 

Arti

Friday, 15 January 2021

Happy New Year!

Dear Readers, 

Happy New Year!

I hope you've all been well and healthy.

My January turned joyous when I saw this animated illustration yesterday. It's been done by the amazingly talented @bohrasisters. 

I've been following them on Instagram for sometime. One of their recent animated illustrations reminded me of my grandfather. So, I sent them a message and we connected.

I wasn't sure why I reached out but I could see my memories reflected in their art. So, I shared a couple of my A to Z (April 2020) memoir posts with them.

Then magic happened.

They were as thrilled as I was to illustrate some of my memories. 

Here's the one that arrived yesterday:

It's a scene from the post that follows. You may have read it in April, but if you've not, then enjoy:) And even if you have, come along for another reminiscing...
This post is an amalgamation  of genres. Imagination has been allowed to fly to the land of  fantasy despite the lockdown. Names of  two main characters have been picked purposefully: one from a children's book and the other from Greek mythology. Their names may be imaginary, but all the characters in this tale are real. All events are real too, well mostly. 

Thank you and I hope you enjoy it.
(Picture: clicked in 2019, Jhinjhi Village, Uttarakhand, entroute Kuari Pass)

                                                                                                                        

Milk for Radishes

Surrounded by High Mountains of the Himalayas in the north and Shivalik Hills in the south, lay a valley called Doon. The green, green valley gurgled with gushing waters of River Ganga in the east and River Yamuna in the west.


Legend has it that a wise Wizard once lived in this land. The people of the valley called him Papadash the Perfect. No one knew where he had come from. Some say he hailed from a faraway Western Kingdom of the Northern Frontiers: the land of Perpetual Spring. But, everyone in the valley knew one thing for sure: the fact that Papadash the Perfect had magical powers. 


People of Doon, the Valley of Green, had heard stories about the wise Wizard's ability to talk to plants to help them grow. It was believed by the young and the old that he sang lullabies to the climbing vines so they could sleep peacefully at night. 


For it is common knowledge that only a well-rested vine can bear sweet grapes and this is the way of the world.


Also, in the Valley of Doon, not far from Papadash's Great Garden, there lived a little girl whose only dream was to be the Most Green Gardener of all times. 


Her name was Artemis.


The Moon had hung so low and so full on the night of her birth, that her mother decided to name her after the Goddess of Moon.


“We shall call her Artemis.” she told her husband.


Artemis grew up in a field of Wildflowers where her mother and father lived. They were the Beekeepers of the Valley.


“Half for us and half for the bees.” Her father would sing when they went collecting honey.


For it is common knowledge that Man was assigned by the gods of All Things Sweet as nature's Beekeeper, so the bees would never, ever go hungry and this is the way of the world.


 By the time Artemis was six years old, her dream to become the Most Green Gardener of all times had taken root in her heart. 

 

 “Why don't you work as an apprentice with Papadash?” suggested her mother who wanted to help her daughter but didn't know how.


Artemis's big brown eyes opened up like saucers. She dashed off before her mother could finish saying what she had to say.

 

Dragonfly’s wings, transparent and tender, rose up in protest. She had spent the entire summer teaching Artemis how to dance like a Dragonfly ballerina. In fact, Artemis had only recently mastered the art of hovering still in position 5 on the very tip of the guava tree branches. It was a secret the two friends shared. They were preparing a dance to surprise mother and father on Summer Solstice day. This apprenticeship would get in the way, thought dragonfly and decided to follow Artemis.

   

With her wild hair blowing in the breeze, her apple red cheeks flushed with excitement, Artemis reached the Big Metal Gate of the Great Garden where Papadash the Perfect lived. 


"Ah...Ah…hh..." Artemis huffed for breath as she stood face to face with the wise one, looking up into his gentle eyes, trying to get a few words out. 


"What is it child?" Papadash asked.


"I want to be your apprentice forever and ever and... I want to be the Most Green Gardener of all times and ...I want to most certainly I want to and ....you have to say yes... and I cannot go back now... And I want to and... please and..." Her words rattled off like a woodpecker's drumming: on and on with no gaps for gulps of air.

 

Dragonfly flew in. She hovered anxiously between Artemis and Papadash.


"Child." said Papadash softly and put both his hands on her shoulders to calm her down. "What took you so long? I've been waiting for you all these universes."


He smiled. His eyes twinkled. He patted Artemis's wild hair and took out a twig that had hopped on for a free ride.


Artemis's heart was singing like a lark. She was trying really hard not to jump up and down. Instead, she used the back of her hand to wipe off drops from the tip of her button nose. All that running had made her nose run too.


Before taking her hand to lead her down the crisscross bricks of the path that led to the Great Garden, Papadash bent down to pick up a bottle of milk that was lying by the Big Metal Gate and slid it inside the deep pockets of his robe. 


Blue Bird of Middle Himalayas, perched on Mulberry, watched as they reached the shade of her tree.  Papadash turned to Artemis and said, "Now, I know I said I've waited for you for many galaxies which is true, but this apprenticeship is very, very special. You have to accomplish a Task before you can be accepted. For this is the way of the World of the Wizards."


Artemis's eyes opened wider. She shook her head up and down to show the Wizard that she was listening.


"You can be my apprentice for ever and ever as long as you can spend One Day--Today, with me in the Great Garden without asking a single question."


"That's easy!” chimed Artemis, cheering up at the thought of such an ordinary Task.

 

Dragonfly, too, cheered up.

 

Papadash the Perfect nodded kindly and carried on walking holding her hand. He bowed his head low as he passed under the pink blooms of Bougainvillea. 


For it is common knowledge that all blooms and flowers are a gift from the gods of All Things Beautiful and bowing to show them respect is the way of the world. 


The first stop they made was by a short Pomegranate tree. 


Papadash picked up some mud, mixed it with water in his bowl of brass and turned it into a paste. Artemis watched silently.


He then took a big helping of the paste and applied it on the trunk of the tree like balm.


"You'll be fine young man. You'll survive. Those silly cats don't know how to climb. I'm sorry! Here... here." Papadash kept talking to the Pomegranate in his soothing voice while applying the paste.

 

“You can ask him, he won’t mind.” Whispered Dragonfly in Artemis’s ear softly.

 

“No, Dragonfly. I want to pass the test.” Artemis stated clearly to her friend.


Next, he took a long strip of cotton cloth and wrapped it around Pomegranate's trunk like a bandage. 


"There!" exclaimed Papadash, happy with his workmanship. "This will do."


A tiny whirlpool of questions was beginning to churn inside Artemis's tummy. Bandages for trees? But she reminded herself of the Task and kept quiet.


They bid Pomegranate goodbye and Papadash added, "Get well soon." before he turned towards the patch that was the Giant Bed for Radishes.


Artemis saw rows and rows of bright green leaves sitting up straight in the Giant Bed. 


"They like their Bed fluffy like you do." smiled Papadash. "So, I rake the soil and mulch and mulch. Air loves to tickle Earthworms you know. And when Earthworms are tickled happy, they make the Bed fluffy like clouds."


"How does he know about my bed?" wondered Artemis but bit her lips hard to stop the words from escaping her lips. This Task was making her tummy ache with all the questions that were piling up inside her belly.

 

“Go on….you know you want to ask him.” Encouraged Dragonfly.

 

Artemis ignored her and carried on.


Next, Papadash took out the bottle of milk he had been carrying in his robe and undid the lid. He bent down towards the Bed of Radishes and poured out a little bit.


"There...there...my babies...drink up the sweet milk. It's fresh from Cow. She knows you need it to make you sweet and ripe." whispered the wise Wizard to each Radish as he poured a little milk down into the soil.


It was getting too much for Artemis. She had never been silent for this long. And the whirlpool of questions was churning inside her like a hurricane now. If she kept quiet any longer, she'd burst open like a seedpod, she thought.


The wise Wizard uprooted a Radish. It shone smooth and white like the moon in the afternoon sun. He shook it a few times to get rid of the fluffy soil and gave it to Artemis to eat.


She was happy to take a bite for this would stop the question from escaping her lips. 


"Crunch...Crunch..." Artemis could not believe how sweet the Radish was.


She thanked Radish and the fluffy soil for giving her such a tasty treat. 


For it is common knowledge that all food is a gift from the gods of Soil and Earth and saying thank you to them is the way of the world.


By the time she had finished eating the Radish and saying her thank you, Dragonfly had filled her ears with more questions.

 

Artemis could hold back no more. She blurted, “How do you know Radishes like milk Papadash?”
    

But, before she could finish her question, she was back at the field of Wildflowers, under the guava tree where Dragonfly had taught her all the movements and poses.

 

 “No!” sobbed Artemis. “This cannot be.”


The Mountains High of the north and the Shivalik Hills of the south still recall tales of the wise Wizard who lived once upon a time in a Garden where Radish drank milk. The River Ganga and the River Yamuna babble about his magic that turned the whirlpool of questions inside Artemis into songs of belief, of magic and of the way of all the worlds across all galaxies and universes. The Wind carries tales of Dragonfly’s selfishness who wanted her friend to be only hers and how Artemis worked hard for a whole long year before she found the path that led her back to the Great Garden to ask Papadash once again if he’d take her as his apprentice.

 

For it is common knowledge that dreams are worth pursuing through disappointments and hardships and that is the way of all the dreamers of this world and beyond who are able to turn their dreams into reality.

 

************************
Papaji, my grandfather did indeed bandage his plants and feed milk to his radishes. He even soaked seeds in milk before planting them. Whenever we asked him, he'd say it makes his radishes sweet like milk. We often ate vegetables pulled straight out of the ground, unwashed. And if Mummy complained about hygiene, he would say: "A little dirt will make them stronger." 

I continue the 'talking to our plants and trees' tradition in my garden in Doha. 

A note about the names:
Papaji's name was inspired by my daughter's favourite book character when she was a toddler. He's called Balderdash the Brilliant. Artemis was an easy choice. 

Monday, 23 November 2020

Of light, diyas, Diwali and celebrating life.

Photo credit: Sahitya

Dear Readers, 

I hope you've been well and healthy. 

As some of you may know the past fortnight has been all about Diwali; a festival of lights celebrated by --- and this is where I'm struggling (she admits after tapping the backspace button 5 times!)

So, who celebrates Diwali? Is it only Hindus? No, my Muslim and Christian and Atheist friends get as excited about this celebration of good over evil as much as I do. 

Is it just Indians? No, the same list of friends includes some whose connection to India is purely and only (unashamedly) gastronomical--alloo gobhi and gulab jamun.

I tapped the Backspace button so many times wile trying to complete the sentence that I decided it was better to explore the questions arising within and share them with you rather than forcefully plant a word that may limit the horizons of Diwali's celebratory aura.  Does assigning a festival to a group of people makes it divisive? Is there any need any more to attach festivals to regions and religions to celebrations? 

I grew up in secular India. The sweetness of Eid mingled with the joys of Diwali and colours of Holi and langars of Guru Purabs and twinkling lights of Christmas like Van Gogh's brush strokes. Everything mixed together and remained distinct at the same time. The end result was always memorable. We celebrated all the festivals on the calendar -- some more fervently than others, but the collective canvas was always vibrant and life affirming.

The common denominators were sweets and new clothes and holidays. It didn't really matter whether Krishna was being born or Christ or if the Moon was a crescent in the sky or Full or New. We were celebrating. Those three words were enough to bring the neighbours into our homes, us into theirs, families to meet and school friends to pack left over feasts in dabbas to take to school the next day to swap, bargain over or share.

Those three words didn't need any qualifiers like which God or Goddess was being thought of that day. The names of the festivals were important only to the grandmothers and banner makers. 

The celebrations were communal. All of us in the mohalla (neighbourhood) participated without invitations or inhibitions.  There were no T.V. ads to drool or fight over. No celebratory guidelines were issued by governments. We simply turned up with dreams of new things, hungry tummies and lots of noisy energy. And that was that.

Diwali of Doon, when I was a little girl, looked nothing like the showy, noisy, decadent, ridden with consumerism commotion of a tamasha everyone is compelled to be a part of and yet complain afterwards these days. Festivals have become giant conglomerates of more vs more, shiny vs shinier, louder vs deafening. Many magazine articles tell you how to 'cope' with the stresses of celebrating a festival, a holiday and how to destress afterwards.

Aren't holidays and stress supposed to be antonyms?  I may go so far and call them oxymoronic. How can stress sit next to a holiday/a festival on the same line unless we are going about this business of  celebrating  the wrong way!

Friends and family have complained of over-doing the party scene in the past years. I am guilty of getting into such a tizzy about cleaning my entire house in a day that I had to resort to a Panadol just before doing the Diwali puja this year. Why do we create mountains to climb over in order to feel like we've done a good job of celebrating? I'd love to know your thoughts.

Apart from the day long cleaning circus I planted myself in, Diwali was different this year, like everything else. Covid made sure the ex-pat Indian population couldn't travel back home to celebrate and that worked out well for the art initiative I've been a part of for the past 2 years.

Let me explain. Two years ago, I visited a facility where cancer warriors undergoing treatment stay. The facility houses blue collar workers who come to Doha from all over the world to work. They come alone and either live with their sponsor's family as their maids or drivers or in community housing provided by their employees and sponsors. Qatar Cancer Charity provides them with treatment free of charge and makes arrangement for some of the more vulnerable patients to stay in this facility so that it's easier for them to manage.

In 2018, around Diwali, I visited the facility for the first time to give some money in the spirit of giving. There I met Gary, the manager in charge, who shared his vision of using posters or art pieces to make the rooms more warm and vibrant for the patients.

"How about if the patients make that art?" I volunteered.

Gary didn't look convinced but he agreed and let me come in the following Thursday to dabble in art with 24 patients in a large activity room.

What started off as a 'one off' session has grown and blossomed into an initiative that keeps me busy and fulfilled. Many dear friends have joined in to help and support. The magic of art and the human spirit have shown me a new way to celebrate. And in this kind of celebration, trust me, there is no stress. On the contrary, my weekly visits destress me.

So, this year, we made diyas with clay and decorated them with colours. They turned out to be the most beautiful diyas I have ever seen. If you don't believe me, ask anyone who's bought them. They'll tell you:)

So many homes and hearts rejoiced in India, Morocco, Sri Lanka, Nepal, Bangladesh, the Philippines and Egypt this Diwali because kind souls bought diyas made in Doha by cancer warriors who fight not just the disease but the perpetual uncertainties limited finances bring.

This year, diyas made by Hindus, Buddhists, Christians and Muslims in a hospital far away from any of the countries the makers come from brought Diwali of forty years ago, from a gully in a mohalla in Dehradun to Doha and reminded me that it's the human spirit that wants to celebrate the miracle of life. Divisions of religion and countries blur into oblivion when the light of life shines. Life wants to live. There's no better place to witness this fact than in a place where disease stares at you with its painful and sometimes imminent stark reality. 

Life, every day and every minute of it, is a celebration of light. Why store it in a box of decorations to be stored away for  yet another year? 

Photo credit: Deepa

If I could capture the tears of joy, the smiles of satisfaction, the spring in steps, the blissful immersions in the making of art and the energy that fills the room (which looks like an art gallery now) and share it with you, I would. You wouldn't have to go spend a penny to 'celebrate' anything ever again. That's how intoxicating this joy is.

Brother David Steindl Rast in one of his YouTube videos talks about the difference between a journey and a pilgrimage.

"In a journey, you reach a goal, that is the essence of the journey." He states and carries on, "In a pilgrimage, every step is the goal: now, now, now. The essence of a pilgrimage is love because in love, with every step, you reach the goal." 

If celebrations became pilgrimages, not journeys, we'd stop exhausting ourselves to reach those goals. Instead, we'd be in blissful joy every step of the way. Don't you think?

For some of us, making diyas this year was a pilgrimage of sorts. Diwali became a pilgrimage in times of Covid.

You can watch the video here:

I'll leave you with a prayer. 

May we make pilgrimages out of our journeys every day and may all the celebrations light up the light that's inside of us. It needs no flame, no oxygen, no expenses at all. Just a smile. And even though smiles may be covered with masks (as they should these days), our eyes will convey our heart's songs to the ones near and far.

Happy Diwali my lovely ones.

Warmly and in gratitude for your presence on this page today,

Arti 
photo credit: Deepa


Friday, 30 October 2020

Good news comes in twos

Dear Friends and Readers,

I hope you've been well and healthy. 

The year 2020 seems to have played a trick on us. Every time I write a blog post, it feels like I'm near April somewhere. How could I be looking at the beginning of November already? I'm not complaining. As a matter of fact, I'm here to share two tasty pieces of treat i.e. good news with you. But before I do, a little preamble to how the news came about.

As you may recall, this year's A to Z Blogging Challenge took me down memory lane where I met my grandparents: Beji and Papaji. Some of the posts I wrote introduced you to them and their love of land and food and their devotion to us, their grandchildren. I chose to call myself a princess in one post and Artemis in another. What they call pride/hubris in the real world is known as imagination in the land of stories, right? Those posts were received with so much love and appreciation that when a call for stories for an anthology of feel good stories rang out in these parts, I rewrote a post into a short story and sent it.

Guess what? It got picked! And the book was launched on the 28th of October 2020! Miracles do happen. I'm sharing all the links. I'm not getting paid or anything but half the money raised from the sale of the book will be used to support an animal charity called 'Prani, The Pet Sanctuary' in Bangalore. I think it's a win win. My dream of seeing my work in print is helping to support a charity. What more could I ask for? I'm happy:) 

You can read 'Kingdom of Kitchen' and 27 other stories in the collection.

Presenting: Tea With a Drop of Honey by the Hive


Please leave helpful reviews if you can.

Covidkaal (the Covid Times) brought out another passion of mine to the fore. It happened by chance. And once again, it's thanks to the A to Z Challenge of 2020 where I met a kind soul and my namesake, Arti of my space who introduced me to online open mic sessions. One thing led to another and I found myself reading out my stories on zoom calls and Insta live sessions in June and July. By the time August rolled in, I had even started 'performing' poetry! It felt like I was back in school, on stage, debating and reciting. The thrills and chills felt exactly like they'd done more than 3 decades ago.

Then, last week, someone I'd met online on one such session asked me to send him some of my work and informed me that he hosts Mirchi Scribbled, a poetry/spoken word/storytelling platform affiliated to a well known radio channel in India called Radio Mirchi. He liked the pieces I'd sent him.

Artemis was back -- she even did a little victory dance to celebrate:)

When a piece was picked and okayed, I took it with me on my morning walks, sat with it under our neem tree and let the words that were written on a laptop screen become one with me.

Then last Friday, the husband and I teamed up to shoot a video of my poetry recital. I wore a grey Coimbatore cotton saree with a gorgeous black and mustard border, my favourite Kali locket, a pair of jhumkas and a big red bindi. I was ready.

We should be done in an hour, tops. I figured. We'll eat lunch after.

Two and a half hours of forgetting a line, knocking the phone off its stand, forgetting to push the record button, loo breaks, umpteen emptying of full glasses of water in single gulps followed by more loo breaks later, we agreed to stop and send the best recording we'd managed thus far. Lunch couldn't wait any longer.

Thanks to Parth Vasani of Mirchi Scribbled who did a stellar editing job, our amateur attempts at recording look pretty neat.

Presenting, my debut performance:
So, that's all folks.

I know Covid Times have been tough but all this sequestering has been like a hatching for me. I'm the egg that's had enough time and warmth over the last six months to crack open tiny parts of my creative spirit from the safety of my nest and peek out a little.

Wishing you a wonderful Halloween if you celebrate and a magical weekend if you don't.

It's a very special full moon tonight. Do go out (if it's possible and if the skies are clear) and let the Moon bathe you in her moonlight.

I owe all the above to the world of blogging and to the A to Z Challenge this year. And to you my dear friends and readers.

Thank you.

Love and prayers,

Arti