Showing posts with label Indian Cinema. Show all posts
Showing posts with label Indian Cinema. Show all posts

Thursday, 21 April 2016

Q is for Questions


In the first decade of my life, say between four and seven years of age, the following three questions (along with their sub-questions) occupied my thoughts and dreams:

Question #1: What magic makes the woollens shrink in the trunk?
Early October, every year, the big trunk in the store room was opened and emptied out. Warm clothes stored in it were aired in the sun to prepare for the inevitable winter. Shrunken balls of naphthalene would roll out of the creases of warm jackets, knitted jumpers and sweaters made by my mother and shawls with Kashmiri embroidery that were stored with extra special care (usually wrapped in old muslin cloth). Despite the mandatory airing, the smell of naphthalene would cling to all those clothes for a good few weeks. Even now, that smell takes me back to the in-between time of the year when autumn is almost out and winter is just getting started.
I remember being made to stand by the big trunk while my mother took out sweaters and 'garam baniyane' warm vests, knitted with white or cream coloured wool, which we wore under our white school shirts. Overpowered by the strong naphthalene smell and the scratchy wool, I'd squirm and squiggle and get my ears pulled or bottom smacked to stand still. Almost always, my favourite sweater would be declared too small for me and passed on to my sister. 
Who makes my clothes small every year? Are there fairies who live in the trunk? Are they related to the little people who live in our radio? Why don't they shrink Daddy's suits or Mummy's favourite 'angoori' (green like grapes) cardigan? 

Question #2: How do people move houses?
Do they get a huge saw, squat and start sawing at the base of the house? How do they load the house on a truck? How big is this truck? Do houses have roots like Papaji's (my grandfather) radishes? Those milky white ones he yanks out of the soil, shakes off the dirt before offering them to us to eat, ignoring my mother's instructions to wash EVERYTHING. 
'A little dirt will only make you stronger.' he would say and take a big crunchy bite of the unwashed white radish that tasted like sweet milk.

And the last one is deep...real deep:

Question #3: How does Rajesh Khanna (Indian film super star of the seventies) come back to life every Sunday? 
There was a time when I was perhaps six or seven, Doordarshan (Indian TV channel) telecast Rajesh Khanna's three super hit films in quick succession. They were Aradhana, Anand and Safar. He dies in each one of them and in two of the films his death scenes were so potent, our entire neighbourhood was in floods of tears. We were one of the first houses to get a black and white TV set, thanks to my father.  It was quite normal for a crowd to gather around our TV set every Sunday evening for the film. In fact, once the TV had to be moved out into the veranda to accommodate all the people. It was a religious film, I think. I wasn't interested. But I remember watching a neighbour climb up the guava tree in our veranda to secure the best seat in the house.

Back to the question--this business of Rajesh Khanna dying, followed by my crying and feeling sorry for him and not being able to sleep because 'babumoshaye' (famous dialogue piece) kept ringing in my ears and then finding him frolicking around trees or cracking jokes with Amitabh Bachhan a few Sundays later, did my head in. 

My grandmother's tales of reincarnation didn't sit well with what I was witnessing at a young and impressionable age. Who was this super hero who died of cancer and then came back looking just like his old self, all grown up, a few weeks later only to die of cancer again?

***********
The only question that haunts me these days is: Do I look fat in this?

I guess, I was more evolved when I was little. 

A couple of years ago, at a school fair, I spotted two photographs that reminded me of question number two of my childhood.

The first photograph is at the top of this post. The second one is here, along with an explanation:



A bit about the photo at the top of this post...

I'm reminded of this oft shared quote of one of my all-time favourite writers: Roald Dahl.



Saturday, 16 April 2016

N is for Nagin Dance

Dancing is like breathing to me. It exhilarates me. It energizes me. I never need a reason to dance. I've never felt the need for a teacher to show me how to. Just like breathing, I can do it. I may look like a total buffoon doing it, but I don't care. I dance with abandonment- in private, in public, on dance floors and in Holi parties. But my favourite place to dance is at an Indian wedding. The dhols and dholaks (drums) demand dance. My two favourite moves are Nagin (snake) dance and the Bhangra (Punjabi folk dance) followed closely by Amitabh Bachchan style thumkas!

What's Nagin dance? Here's a video that shows all the moves one can spot at an Indian wedding, starting with -- you got it-- Nagin Dance at number 1. Enjoy:)
What I'm about to tell you about Indian weddings is purely based on my memories. This is how things were back in the 70s and 80s and 90s. It's changed a lot now. 

Weddings were a chaotic cacophony of organic, home spun music on dholaks, chattering cousins, grumbling grandmas, copious cups of tea being made and served, lip-smacking food being prepared in large quantities by maharaj jis (chefs one hires to cope with feeding the extended family and their cousins, neighbours. etc.) who, it was implied, would eat at the shaadi wala ghar (wedding house) for five days at least- three before the big day, on the big day and at least breakfast on the day after the big day.

Riotous weddings of my childhood memories rested on the following four pillars:
1. Dancing
2. Food
3. Clothes or shopping for clothes, and
4. The obligatory and almost always unintentional upsetting of important relatives, who then expressed their unhappiness by either walking out (with lots of drama) or sulk loudly in (no, not in a corner) the most visible part of the mandap (platform where the bride and groom sit). Uncannily, this sulking face will haunt you for as long as you have your wedding album because the sulker makes it his moral duty to photo bomb almost ALL of the family shots taken on the day he/she decided to throw a hissy fit.

Trust me, even today, you may manage to have a quieter wedding with less dancing or simple food or moderately priced clothes, but you can NOT have an Indian wedding where you don't upset at least one member of your family. At least one upset uncle or aunt is mandatory . We've had entire families staging a walk out on something as simple as menu choices. Say, for example, if chicken tikka happens to be on display and a vegan uncle turns up at the wrong time. We are an emotional bunch and food gets us all wound up.

Back to my favourite part; dancing, which was and still is my favourite pillar, followed by shopping and food.

Only when I sat down to write today, did I wonder about the origin of Nagin dance. The other dances you saw in the video are a mishmash of folk dances like the Bhangra and the Garba (Gujarati folk dance) and now of course, hip hop. Nagin dance, I reckon, slithered into our weddings from Indian cinema. If you know more about its origin, please share. It's always accompanied by 'been' music. That's the flute a snake charmer plays.

Wikipedia suggests that the first Indian film that used been music and Nagin dance was:
Nagin (1954).  
I'll have to rely on Wikipedia as I'm pressed for time to do more research.
The following video is the real deal. This is what most dancers try to emulate at weddings or on dance floors. 
The drunk uncles are hilarious to watch, and apologies if you are one of them.
I probably look like a tipsy auntyji myself when I have my hands up in the air-- cobra style,
 but I still feel nineteen when I'm dancing. 
And that's all that matters.
I like to move it...move it...come on, join me...shake a leg:)

I'm certainly looking forward to switching off for a day. Have a fun Sunday.
See you on Monday.